My last post was on a similar subject but the video had no sound. I hadn’t mastered Adobe Captivate 5.5 trial version. I still haven’t but at least I can give you sound . I have now figured out how to stop the panning but I am afraid you will have to put up with it on this one.
This is all about how to create a mask and change the background on your image, hope you get something out of it.
Another good day yesterday doing what I enjoy so much – lighting.
I gave a one day “one on one” course to Judith who was on day two of basic lighting. In our first session we positioned Greatchen, my rather well endowed mannequin, against a white back drop and using one light went through a number of different modifiers without changing the position of the light. It was also demonstrated how a soft box wraps around the subject. Judith was taking photographs of each change. We then went into the office and sat down and reviewed them on the larger screen.
Day two was to be a subject of Judith’s choice. When she arrived she admitted she hadn’t though it through and so off I went to find a suitable object. It’s spring and the daf’s are starting. Three were chosen and dutifully presented to Judith.
You should have seen the frown on her face and the smile on mine. She admitted she had tried on many occasions to photograph daffodils but to no avail. They always looked like blobs was her remark.
Into the studio we go. Judith wanted to produce a soft image against a black backdrop. She chose to use a soft box for her key light which was positioned close and at right angles to the flowers with the back edge lined up with the back edge of the flowers. She took a few images and then we reviewed the. After spotting the shadow on the right of the image we returned and placed a gold reflector on the opposite side from the key light and pointing up. More images and return for another review. The flowers look a little flat and I suggested she throw in a back light. Back to the studio and we set up a light with a snoot diffuser shining from again the opposite side from the key. The reflector had to be moved up and pointing down to eliminate a harsh shadow on the center bud.
Voila, this was the final result of Day 2 with Chris.
Matt Harper has been a professional photographer for the last 5 years and beside exciting his clients with his wedding and portrait photography, he also specializes in Glamour and has worked with many established and aspiring models to produce some stunning glamour images. In fact he is affectionately known as General Gusset by his peers.
I needed to add to my series of Top Tips For Models and asked Matt to give his advice on this blog, which he graciously agreed to do. Here are his words of wisdom but if you continue the content may not be suitable for children. Continue reading →
Continuing on from my last post about my Studland shoot, next in line was “Mistakes”, inspired by the saucy seaside postcards that you could buy in the 50’s and 60’s.
This was the inspiration card
Saucy Seaside Postcard Inspiration
Set 2 – “Mistakes” The Brief
Saucy Postcard – Print and card sale
Saucy Seaside Postcard embarrassed dancer
Cast – Raphaella as dancer and MonModel as helper
Location – Preferably outside on lawn but if weather does not favour could use front hall
Make-Up – Stylised with dancer’s cheeks blushed
Hair – Dancer in ponytail, spectator hair up.
Wardrobe – Dancer in bright coloured TuTu and flesh coloured knickers, Helper bright sportswear and spectators in earth tones, coats, hats and maybe willies. (Will grab some of the others hanging about for this shot but no more than 4, Nikki might want to be in this as a spectator)
Matching Tutu knickers
4 politician masks
Walking sticks (CStGPA)
The girls went off to change with Nikki fussing over them and I and my trusty assistant for the day, ‘Biscuit’, broke set and moved on to the next location. The sun was in and out of the clouds and so I decided to use two Bowens with reflective umbrellas to give an even light over both main subjects. Set up either side of camera and at head height. I used a shutter speed of 1/125 at F11. This gave me a wide depth of field making sure the main subjects and the audience were in focus.
With the camera on a tripod I set the models in position, marking their spots with coins so that I could always have them in the right part of the frame. After 18 shots we had it in the bag and here is the result.